Lighting Design

Dynamic Phocus (2015)

 

Choreography: Neal Rodgers
Lighting Design: Alex Rosenberg
Music: "Dynamic Phocus", composed by Brendan Kingsley

Photos courtesy of John Evans


The Principles of Causation (2016)

Choreography and Performance: Nia Imani Jackson
Lighting Design: Alex Rosenberg
Music: "Pripyatby Hauschka
Performers: Bailey Benoot, Alexandra Dalli, Karolina Holmstrom, Joselin Martinez, Francisca Quintanilla, Margaret Schue, Tyler Thompson

Photos courtesy of John Evans

Simply Undone (2016)

Choreography and Performance: Sara Martino
Lighting Design: Alex Rosenberg
Music: "Nocturne in G Minor" by Ólafur Arnalds and Alice Sara Ott

Photos courtesy of John Evans.

Accidentally on Purpose (2016)

Choreography: Nicole Cameli
Lighting Design: Alex Rosenberg
Music: "Transmissions," "This is a recording," "Headphonics 1/O" by Ryoji Ikeda
Performers: Brittany Barthelemy, Cassidy Bello, Deanna Carlucci, Elyse Mertz, Alexandra Ruibal, Thea Sackade, Kelsey Scanlon

Photos courtesy of John Evans

same house, different room (2016)

 

Choreography: Melanie Sanniola
Lighting Design: Alex Rosenberg
Music: "Triple Quartet: First Movement" by Steve Reich
Performers: Bailey Benoot, Rebecca Cooney, Maria Dorado, Rose Hartnett, Margaret Shue, Christina Trautwein

Photos courtesy of John Evans.

White Mythologies (2016)

 

Choreography: Yuri Yoo
Lighting Design: Alex Rosenberg
Music: "Pitch Black" by Lulu Rouge, "Triste" by Alcazar and Sordo, "Rattle" by Cowboy Rhythmbox, "Hole" by Rrose (music editing by Joseph DeMichele)
Performers: Gabriel DeRego, Spencer Grossman, Kenneth Montes de Oca, Javier Padilla, Francisca Quintanilla, Elias Rosa, Adriana Santoro, Margaret Shue, Isabella Vergara

Photos courtesy of John Evans.

Years Old (2016)

 

Choreography: Maria Dorado in collaboration with the dancers
Lighting Design: Alex Rosenberg
Music: "Dog Days Are Over" by Florence + the Machine
Performers: Kelley Arney, Kara Hestevold, Joselin Martinez, Sara Martino, Melanie Sanniola, Lindsey Silvera

Photos courtesy of John Evans.